Gene Lenahan- For over two decades I've pursued my passion for lighting. I designed for theatre, opera and dance in the late 70's, then crossed over to the corporate environment in the 80's. The 80's and 90's offered me the opportunity to light extravagant multi-media productions, special events and a roster of musical artists. With the dawn of the millennium and the LED technology that followed, I find myself crossing over yet again into media / environmental design, acting at times as production designer.

Ken Jones- I joined the business in 1987, and have never looked back (well except the 3 weeks I spent as a car salesman). I have always enjoyed lighting, and the challenges of the ever changing technology. The majority of my time is spent programming, but I also design for some clients and occasionally act as the production electrician. Photography has become another joy in my life but more for the love than for the money, I take shots of all our shows and pretty much anything else that will sit still long enough. By far however, most of my happiness comes from spending time with my wonderful wife and two beautiful daughters.

What You See Is What You Get

Using WYSIWYG technology, a design can be tested before the equipment is ordered and programming can begin prior to load-in.  By virtually viewing the light plot in relationship to the venue, scenery, audio speakers, and video screens, we can check for possible obstructions, unwanted shadows and sightline problems.  By adjusting the lamp placement, changing the fixture type, or reconfiguring the truss layout at this phase, we can avoid costly and timely on-site surprises.

Rehearsals can begin with confidence knowing that the cue list and design will work.